PELMAMA

 


 

Andrew Tshidiso MOTJUOADI

Andrew MOTJUOADI "Head of a Child", 1965 - oil/canvas board - 050x040 cm (PELMAMA)

"Head of a Child", 1965 - oil/canvas board - 050x040 cm

PELMAMA Register AAMC AMOT 65/01

 


 

Collection:

University of Fort Hare, Alice (donated by The Fort Hare Foundation, 1990), as part of the original PELMAMA Permanent Art Collection

 

Provenance:

The Haenggi Foundation Inc., Johannesburg

Gallery 21, Johannesburg

J. Lampert, Johannesburg, 1981



Work exhibited:

SA Association of Arts Gallery (Herbert Evans), Johannesburg, 1971

Johannesburg Art Gallery, Johannesburg, 1988 (The Neglected Tradition: Towards a New History of South African Art (1930-1988))



Work illustrated:

Johannesburg Art Gallery exhibition "The Neglected Tradition: Towards a New History of South African Art (1930-1988)" - poster and invitation card, catalogue cover and p. 73, ill.

Saturday Star, Johannesburg 19.11.1988, ill.

Die Beeld, Johannesburg 21.11.1988, ill.

"150 South African Paintings Past and Present" (Alexander/Cohen) (Struikhof Publishers), 1990, pl. 110, p. 134

"Images of Man" (E.J. de Jager), (UFH), 1992, cat. 70, with full biographical notes on pp. 68/71

"The subtle Power of Intangible Heritage" (Deacon) (HSRC Publishers), 2004, col. ill. on cover

 

 


 

Andrew MOTJUOADI Sketch for "Head of a Child, 1965", undated, unsigned - crayon drawing - 044x038 cm

Sketch for "Head of a Child, 1965", undated, unsigned - crayon drawing - 044x038 cm

PELMAMA Register AAMC AMOT 65/02

 


 

Collection:

University of Fort Hare, Alice (Permanent Loan from The Haenggi Foundation Inc., 1990)

 

Provenance:

The Haenggi Foundation Inc., Johannesburg

Gallery 21, Johannesburg

J. Lampert, Johannesburg, 1981

 

Work exhibited:

SA Association of Arts Gallery (Herbert Evans), Johannesburg, 1971

Johannesburg Art Gallery, Johannesburg, 1988 (The Neglected Tradition: Towards a New History of South African Art (1930-1988))

 

Work illustrated:

Johannesburg Art Gallery exhibition "The Neglected Tradition: Towards a New History of South African Art (1930-1988)", 1988 cat. p. 72, ill.

 

 


 

Comment:

This is a rare case indeed where the working sketch of a major work by a black artist has come down intact and remained together with the actual painting!  

 


This page last updated 12th January, 2015

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